Biography of Babe Ruth, Home Run King

Biography of Babe Ruth, Home Run King Babe Ruth (February 6, 1895–August 16, 1948) is often referred to as the greatest baseball player who ever lived. In 22 seasons, Ruth hit a record 714 home runs. Many of his numerous records for both pitching and hitting lasted for decades. Ruth won many honors during and after his baseball career, including being named to the Major League Baseball All-Century Team and the Major League Baseball All-Time Team. In 1936, Ruth was among the first five inductees into the Baseball Hall of Fame. Fast Facts: Babe Ruth Known For: Member of the New York Yankees who became the Home Run KingAlso Known As: George Herman Ruth Jr., Sultan of Swat, the Home Run King, Bambino, the BabeBorn: February 6, 1895 in Baltimore, MarylandParents: Katherine (Schamberger), George Herman Ruth Sr.Died: August 16, 1948 in Manhattan, New YorkPublished Works: Playing the Game: My Early Years in Baseball, The Babe Ruth Story, Babe Ruths Own Book of BaseballAwards and Honors: Monument Park  honoree (plaque at open-air museum at Yankee Stadium), Major League Baseball All-Century Team, Major League Baseball All-Time Team, Major League Baseball Hall of FameSpouses: Helen Woodford (m. 1914–1929), Claire Merritt Hodgson (m. April 17, 1929–August 16, 1948)Children: DorothyNotable Quote: â€Å"Never let the fear of striking out get in your way.† Early Years Ruth, born as George Herman Ruth Jr., and his sister Mamie were the only two of George and Kate Ruths eight children to survive childhood. Georges parents worked long hours running a bar, and so little George ran the streets of Baltimore, Maryland getting into trouble. When Ruth was 7 years old, his parents sent their incorrigible son to St. Marys Industrial School for Boys. With only a few exceptions, George lived at this reformatory school until he was 19 years old. Learns to Play Baseball It was at St. Marys that George Ruth developed into a good baseball player. Although George was a natural as soon as he stepped onto the baseball field, it was Brother Matthias, the prefect of discipline at St. Marys, who helped George fine-tune his skills. The New Babe By the time George Ruth was 19, he had drawn the eyes of minor league recruiter Jack Dunn. Jack liked the way George pitched and so he signed him to the Baltimore Orioles for $600. George was ecstatic to get paid to play the game he loved. There are several stories about how George Ruth got his nickname Babe. The most popular is that Dunn was often finding new recruits and so when George Ruth showed up at practice, another player called out, hes one of Dunnies babes, which eventually was just shortened to Babe. Jack Dunn was great at finding talented baseball players, but he was losing money. After only five months with the Orioles, Dunn sold Ruth to the Boston Red Sox on July 10, 1914. The Red Sox Although now in the major leagues, Ruth didnt get to play much in the beginning. Ruth was even sent to play for the Grays, a minor league team, for a few months. It was during this first season in Boston that Ruth met and fell in love with the young waitress Helen Woodford, who worked at a local coffee shop. The two married in October 1914. By 1915, Ruth was back with the Red Sox and pitching. Over the next few seasons, Ruths pitching went from great to extraordinary. In 1918, Ruth pitched his 29th scoreless inning in a World Series. That record stood for 43 years. Things changed in 1919 because Ruth demanded to spend more time hitting and thus less time pitching. That season, Ruth set a new record by hitting 29 home runs. The House That Ruth Built Many were surprised when it was announced in 1920 that Ruth had been traded to the New York Yankees for a whopping $125,000 (more than twice the amount ever paid for a player). Ruth was an extremely popular baseball player, and he seemed to succeed at everything on the field. In 1920, he broke his own home run record and hit an amazing 54 home runs in one season. The following season, he eclipsed his own mark with 59 home runs. Fans flocked to see the amazing Ruth in action. Ruth drew in so many fans that when the new Yankee Stadium was built in 1923, many called it The House That Ruth Built. In 1927, Ruth was part of the team that many consider the best baseball team in history. It was during that year that he hit 60 home runs in a season - a mark that stood for 34 years. Living the Wild Life There are nearly as many stories of Ruth off the field as there are on it. Some people described Ruth as a boy that never really grew up; while others just considered him vulgar. Ruth loved practical jokes. He frequently stayed out late, completely ignoring team curfews. He loved to drink, ate copious amounts of food, and slept with a large number of women. He often used profanities and loved to drive his car fast. More than a couple of times, Ruth crashed his car. His wild life put him at odds with many of his teammates and definitely with the teams manager. It also greatly affected his relationship with his wife Helen. Since they were Catholic, neither Ruth nor Helen believed in divorce. However, by 1925 Ruth and Helen were permanently separated, with their adopted daughter living with Helen. When Helen died in a house fire in 1929, Ruth married model Claire Merritt Hodgson, who tried to help Ruth curb some of his worst habits. Popular Stories One of the most famous stories about Ruth involves a home run and a boy in the hospital. In 1926, Ruth heard about an 11-year-old boy named Johnny Sylvester who was in the hospital after an accident. The doctors werent sure if Johnny was going to live. Ruth promised to hit a home run for Johnny. In the next game, Ruth not only hit one home run, he hit three. Johnny, upon hearing the news of Ruths home runs, started to feel better. Ruth later went to the hospital and visited Johnny in person. Another famous story about Ruth is one of the most famous stories of baseball history. During the third game of the 1932 World Series, the Yankees were in a heated competition with the Chicago Cubs. When Ruth stepped up to the plate, Cubs players heckled him and some fans even threw fruit at him. After two balls and two strikes, the incensed Ruth pointed out to center field. With the next pitch, Ruth struck the ball exactly where he had predicted in what has been termed the called shot. The story became immensely popular; however, its not exactly clear whether Ruth meant to call his shot or was just pointing at the pitcher. The 1930s The 1930s showed an aging Ruth. He was already 35 years old and although he was still playing well, younger players were playing better. What Ruth wanted to do was manage. Unfortunately for him, his wild life had caused even the most adventurous team owner to consider Ruth unsuitable to manage an entire team. In 1935, Ruth decided to switch teams and play for the Boston Braves with the hope of having a chance to be assistant manager. When that didnt work out, Ruth decided to retire. On May 25, 1935, Ruth hit his 714th career home run. Five days later, he played his last game of major league baseball. (Ruths home run record stood until broken by Hank Aaron in 1974.) Retirement and Death Ruth didnt stay idle in retirement. He traveled, played a lot of golf, went bowling, hunted, visited sick children in hospitals, and played in numerous exhibition games. In 1936, Ruth was chosen to be one of the first five inductees to the newly created Baseball Hall of Fame. In November 1946, Ruth entered a hospital after suffering a monstrous pain above his left eye for a few months. The doctors told him he had cancer. He underwent surgery but not all of it was removed. The cancer soon grew back. Ruth died on August 16, 1948, at age 53. Sources Thorn, John, and John Thorn. â€Å"Babe Ruths Autobiography, as Written in 1920.†Ã‚  Our Game, 6 Apr. 2015.â€Å"Babe Ruth.†Ã‚  Biography.com, AE Networks Television, 16 Jan. 2019.â€Å"Biography.†Ã‚  Biography | Babe Ruth.

Free Essays on Shays Rebellion

Shay’s Rebellion The American Revolution was ended in 1783, the young republic it created faced a difficult time. Nowhers Huberte was this more evident than to the farmers of Western Massachusetts. A severe economic depression forced people unable to pay their debts into court, then into jail. These troubles were caused by the mercantile elite of Eastern Massachusetts, who demanded hard currency to pay foreign creditors. The farmers of Western Massachusetts, after years of frustration, reacted with an armed uprising that lasted for six months at the end of 1786 and the beginning of 1787. The rebellion started with petitions to the government for paper currency, lower taxes, and judicial reform. Once this failed, the farmers took more drastic measures. The first target of the Rebellion was the Court of Common Pleas at Northampton, where an armed body of farmers kept the court from sitting on August 29th. Similar groups stormed the courts at Worchester, Concord, Taunton, and Great Barrington in the following weeks. The farmers hoped to prevent further trials and imprisonment of debtors. The man who rose to lead the insurgents was Captain Daniel Shays, a veteran of the Revolution and a farmer from Pelham. The Supreme Judicial court had indicted eleven other leaders for sedition, more would follow. Shays and 1,500 followers occupied the Springfield Courthouse from September 25th to the 28th, preventing the Supreme Judicial Court from sitting. Governor James Bowdoin assembled 4,400 militiamen under General Benjamin Lincoln to defend the courts and protect the commonwealth. Shays and the other insurgents chose the Federal Arsenal in Springfield as the next target. Shay’s with 2,000 farmers behind him, assaulted the arsenal on January 25, 1787. General William Shepard successfully defended the arsenal with 1,200 militiamen. The rebels suffered four dead and twenty wounded. General Lincoln soon arrived in Springfie... Free Essays on Shay's Rebellion Free Essays on Shay's Rebellion Shay’s Rebellion The American Revolution was ended in 1783, the young republic it created faced a difficult time. Nowhers Huberte was this more evident than to the farmers of Western Massachusetts. A severe economic depression forced people unable to pay their debts into court, then into jail. These troubles were caused by the mercantile elite of Eastern Massachusetts, who demanded hard currency to pay foreign creditors. The farmers of Western Massachusetts, after years of frustration, reacted with an armed uprising that lasted for six months at the end of 1786 and the beginning of 1787. The rebellion started with petitions to the government for paper currency, lower taxes, and judicial reform. Once this failed, the farmers took more drastic measures. The first target of the Rebellion was the Court of Common Pleas at Northampton, where an armed body of farmers kept the court from sitting on August 29th. Similar groups stormed the courts at Worchester, Concord, Taunton, and Great Barrington in the following weeks. The farmers hoped to prevent further trials and imprisonment of debtors. The man who rose to lead the insurgents was Captain Daniel Shays, a veteran of the Revolution and a farmer from Pelham. The Supreme Judicial court had indicted eleven other leaders for sedition, more would follow. Shays and 1,500 followers occupied the Springfield Courthouse from September 25th to the 28th, preventing the Supreme Judicial Court from sitting. Governor James Bowdoin assembled 4,400 militiamen under General Benjamin Lincoln to defend the courts and protect the commonwealth. Shays and the other insurgents chose the Federal Arsenal in Springfield as the next target. Shay’s with 2,000 farmers behind him, assaulted the arsenal on January 25, 1787. General William Shepard successfully defended the arsenal with 1,200 militiamen. The rebels suffered four dead and twenty wounded. General Lincoln soon arrived in Springfie...

Digital Revolution in Marketing Essay Example | Topics and Well Written Essays - 2000 words

Digital Revolution in Marketing - Essay Example Digital marketing uses applications like e-mail, websites, and social networking media to engage with existing and potential customers. In last five years, the emergence of social media marketing as a robust form of digital marketing has fuelled the acceptance of digital marketing among small and large organizations across the globe. This has also helped organizations to enhance their business reach and acceptance in diversified geographical regions. Carter, et al (2007) stated that the concept of digital marketing was first coined in the early 90s that later gained attention and significance in late 2000s. With a number of using digital marketing as a mode of enhancing and strengthening their relationship with customers; digital marketing evolved as a communicative tool. Though, digital marketing does not promise success and acceptance for all organizations as its utility and benefits are solely dependent on the right use and execution. A number of small and large organizations have been using digital marketing for their value-enhancing process. Thus, the major purpose of this discussion is to present a critical analysis and discussion of digital marketing. Along with this, the paper also conducts a digital audit on Skyscanner that is a UK based search engine website used for hiring car, booking hotels, and flights. The company has been using the digital marketing and the discussion will deal with its digital marketing practices . Skyscanner is considered as a leading and preferred travel search site offering comparative solutions for booking flights, hotels, and cars. The website also offers services pertaining to the online comparison of hundreds of flights along with offering the best solution in a quick manner. The company has a global office in the UK and has the presence in many countries. Furthermore, it offers best deals to people of different nationalities.  

How A Bill Becomes A law Term Paper Example | Topics and Well Written Essays - 1750 words

How A Bill Becomes A law - Term Paper Example This information can be used to better the nation, local community, career, and life as it moves forward. All Roads Lead to Congress is a case study of the proposal and passage of H.R. 3: Safe, Accountable, Flexible, Efficient, Transportation Equity Act (SAFETEA - LU) from the 109th Congress 2005 - 2006. This case study is presented from two different authors’ perspectives. One author is a political scientist, Costas Panagopoulos, and the other is an urban planner, Joshua Schank, who has been involved in transportation his entire career. Schank was Senator Hillary Clinton’s transportation fellow being brought in from Columbia University specifically to help work on this bill specifically. The book is organized by chapters telling the reader simply, â€Å"How a bill becomes law; bill introduction and markup; floor fight; conference; back to the drawing board; passage and politics; and the aftermath. In Chapter one, The four P’s are discussed including power, proc ess, policy, pots of money (price). Members of congress are most concerned about getting re-elected and use position taking, credit claiming, and advertising to get ahead. The suggestion is made that politicians worry more and do more about advertising their pork barrel projects than they do about passing solid pieces of legislation. Since their primary concern from day one in office is with getting re-elected, every move they make centers on that issue, the entire time they are in office. Public opinion of Congress as a whole is typically low, but constituent approval of some individual members of Congress is high. Transportation is a popular place to include pork barrel projects. There is a lot of detail provided in each chapter about what happens behind the scenes in the Congressional process, regarding deadlines, extensions of deadlines, â€Å"constituent meeting†, â€Å"surrogate meeting†, stall tactics, additional conversations, and so on, all in an effort to get a working piece of legislation that a bi-partisan group will be comfortable passing (p. 31). This bill was introduced in the house May 14, 2003 and was signed into law August 10, 2005 by President Bush. The final act was passed before the bridge collapse in Minnnesota on August 1, 2007, on I-35W at the height of rush hour. The bridge, as well as fifty vehicles, fell into the Mississippi River. Five people were killed. The investigation showed that popular, new roads and projects were funded, while the mundane, routine and maintenance projects were neglected. This was not the direct cause of the accident, but transportation has been bankrolling many other projects than the maintenance and safety of the existing roadways for years. The path taken by the highway funding bill followed the schematic in Figure 1.1 on page 6 of Panagopoulos and Schank. The bill is draft and proposed to both the House and the Senate. The Senate and House have committees that the bill goes to. In the commit tees the bill is marked up and reported out back to the Senate or the House with recommended changes. The bill then goes to the House rules committee. The bill post revisions makes its’ way back to the Senate and House floor for discussion, which if proceeding forward, follows with conference meetings to reconcile the differences between the Senate and the House. The

World War II Essay Example for Free

World War II Essay Richard Wheeler, an author of Iwo – a book about the battle of Iwo Jima during the World War II is, undoubtedly, familiar with the subject. He is a war veteran, who joined the Marine Corpse recently after attack on Pearl Harbor. Although he has spent two years at Alaska as a coast guard, he managed to join the actively fighting force of 28th Regiment of the new 5th Marine Division. His division was one of the first to invade Iwo Jima in spring 1945 and Wheeler participated in the most severe combat for the island. Two days after the landing he has been heavily wounded and evacuated, however, those days were enough for him to write a book of memories, which he called simply â€Å"Iwo†. The book is a description of the battle for Iwo Jima from the point of view of marines, who invaded the island and the Japanese soldiers who protected it. The author pays little attention to description of strategies and forces in the operation, concentrating on soldiers experiences. His writing may be in a way shocking and cynical as he writes how uncommon valor was a common virtue. Wheeler speaks a little of preparations, made by Americans and Japanese and describes some of the maneuvers of his own division, including the flag raising, which later became famous. But the book is more a story of life and fighting of marines on the island – their thoughts, desires and feelings. All names of marines, places and other are due to authors own knowledge. The book is outstandingly exciting to read. It keeps the reader tensed and involves him into action, giving an insight from participant’s view. The language of the book is a language of a marine, not of a professor of history, and this makes the impression from the book even deeper. Iwo is a magnificent overview of WWII on the Pacific soldier experience. Perhaps it is not of great interest to history professionals, but is a â€Å"must read† book for all those interested in real story of the Pacific War. Those, who are already familiar with the matter would obtain additional sensitive understanding of war, and the â€Å"beginners† will find an exciting introduction into life of a soldier of World War II.

Impact of Photography and Film on Art

Impact of Photography and Film on Art Photography and film have changed our notion of art. Discuss. To explore how photography and film have changed our notion of art, we must elude to Walter Benjamins essay, The Work of Art in the Age of Mechanical Reproduction[1]. Here, Walter Benjamin, discusses how art changed in the face of technology, and how state economies, the way art is perceived, the impact of reproduction, and how the meaning of artworks change through time, is discussed predominantly in the wake of film. He also puts forward the idea of the value of the work of art is linked to its authenticity. â€Å"The presence of the original is the prerequisite to the concept of authenticity.† And sites various reactions to the emergence of film. â€Å"I can no longer think what I want to think. My thoughts have been replaced by moving images[2].† He writes about the impact of the reproduction of art. â€Å"Mechanical reproduction of art changes the reaction of the masses toward art†, and the difference between aspects of film and other art forms. When comparing the painter and the cameraman, Walter Benjamin compared them to a magician and a surgeon. â€Å"The magician heals a sick person by the laying on of hands; the sur geon cuts into the patients body.† When Walter Benjamin wrote his essay, film was emerging as a powerful art form, â€Å"The shooting of a film, especially of a sound film, affords a spectacle unimaginable anywhere at any time before this†, and obviously influenced The Work of Art in the Age of Mechanical Reproduction, possibly fearing that arts heritage would be lost in the wake of technology, â€Å"The technique of reproduction detaches the reproduced object from the domain of tradition.† The purpose of this essay is to take these ideas and re-evaluate them in our 21st century world, to enable us to explore how our notions, or ideas and conceptions of art, in relation to photography and film have changed. Through examining our notion of art and how it has been manipulated through photography and film, we will be able to gauge what art means to us, its use, what influences art, and how we perceive it. Arguably the biggest impact over the last two to three decades on art has been the rise of the market economy. Through striving for profit, the media industry that arguably utilises art has been greatly affected. The use of art has become a kind of dictated president. The use of demographics has largely dictated what kind of films and television programmes people watch. In relation to art, the question has to be asked: Is there room for art in demographic driven film? This can be explored further in relation to television, especially where reality television is concerned. In his essay, Walter Benjamin ask a similar question, â€Å"The question remains whether it provides a platform for the analysis of the film.† Perhaps to answer this question we need to look at other art forms. Music, like film has gone through a change in how it is made, and there is arguably a clear division between commercial music, and music from artists wanting to express themselves. Where as twenty years ago the pendulum was arguably more balanced, with the advent of television talent programmes and their subsequent success, the popular song has become formulaic. The creativity, or the â€Å"cult† element has been lost in the commercialism of music, and subsequently it is more like painting by numbers, than a tapestry of sound. This argument to a degree is now present in the film industry. Film scripts, particularly in the action genre, seem to fit a certain format, and subsequently, one seems a lot like another, save perhaps a few exceptions. Art has little scope for recognition in this kind of film. Walter Benjamin: â€Å"The masses seek distraction whereas art demands concentration from the spectator.† The merits of which still seem to prevail. This leads us to the question, what do people actually want from their film going experience? If art is an expression of idea through a creative medium, then this is not art that is being sought, or offered, as there is no expression of ideas, but rather a tried and tested rerun of what sells. Marketing has played its part in changing our notion of art. It has not only conducted research into demographics, but also packaged the film to make it more fit for consumption by a mass mainstream audience. It has kind of duped us into believing that we want to see a film that we really do not. This clever use of marketing and its power should never be underestimated. Its reach stretches to wherever there is a product and consumer. The driver here is money and investment, and film companies want a top return for their outlay. Though this is understandable, the results are arguably limiting the scope of art to take form. Western Governments may not have been directly responsible for the demise of art to commercial demographics, but by allowing the rise of the market economy to strive for greater profits above all else, ideas driven film inevitably was always going to be displaced to a more profitable, formula led system. In this way, Western Governments have created the condition for this kind of film making to exist. If art is suffering in commercial film, it is growing from independent film makers. Here, it could be argued that the art of film making still exists, where the demographic driven formula of the commercial sphere is rested, and ideas are used to guide a film from beginning to end. It should also be noted that with the advent of websites such as Youtube, and Flickr, and more affordable technology, film making and photography are arguably more affordable to the average person in the street than ever before. How much of the content of these sites is art is questionable, but nonetheless, keen people looking to explore the worlds of film making and photography, are striving to achieve something more than just a home video and snapshots, and now have the tools to explore their own creativity and self expression. In the minds of most people, film is a source of entertainment. It is not a crucible for culture. Most films that people see would have undergone the demographic research we have discussed previously, and been screened in front of a test audience. Depending on the results of the test audience, the film may have been edited again. Art, which is arguably in short supply, may well have been lessened further as a result. As Walter Benjamin stated, â€Å"The public is an examiner, but an absent minded one.† Photography, on the other hand, seems to come into its own when used for its shock power. Photographers have carved out a niche for themselves in this arena by combining the controversial with a particular topic. It has also shown to be an instrument of real power, especially on a battlefield, where a dead body can tell a thousand words. Where photography perhaps has the edge over film on an artistic level, is that there are no demographics to dictate the content of the picture. In fact, the art of photography lies in the technique of the photographer. Art in this form, is what people are left with. Photographers have a freer rain to practise their art than their film contemporaries. Our notion of art in photography is what we are left with when we view the picture. Exactly what this is, is hard to determine, but for all intense and purposes the art is still there. The power of the camera should never be understated. Injustices, tragedies, and humours moments are remembered by all. 9/11, the Tiananmen square massacre, Vietnam, are all images that have stayed with people long after the events have taken place. Art is not something that immediately is apparent, but the statement by Marinetti[3] that, â€Å"War is beautiful†, does resonate in some way. Though other feelings are prevalent to: Shock, fear, intrigue, horror and abhorrence. If a destruction of another human being can be classified as beautiful, then perhaps this is because of authenticity, which provides the basis of value for a genuine work of art. Perhaps a student being unjustly killed, a village being massacred or people being crushed to death in a collapsing building, gives the lives lost a meaning albeit a grim one, and here in lies the art, both genuine and authentic. It is a nice thought that art is intrinsically linked to something profound, and something that represents humanity. Walter Benjamin wrote, â€Å"But the instant the criterion of authenticity ceases to be applicable to artistic production, the total function of art is reversed. Instead of being based on ritual, it begins to be based on another practice-politics† Indeed, politics, in our day and age is about gaining advantage where possible to reinforce a position through manipulating facts and arguably truths. Perhaps artistic value in film and pictures that depict tragedy is lost once the act moves into the political arena, as through manipulation authenticity dies, and with it the value of life and death. One could say that the death of authenticity, is actually the death of art in mass market media. Tragedy, seems to be all around us, and now you can watch the events of it on a hundred television channels. The world wide web which is accessible to many people around the globe, can show tragic events at any time of the day. Perhaps the authenticity is dying because we are saturated by similar images. We are becoming immune to its effects and therefore immune to art itself. We have seen it every week in one form or another. Many actors are groomed in the same way, and so look similar. The uniqueness is lost to the mainstream, and so art is lost, for without uniqueness there can be no art. The Mona Lisa would not hang in the Louvre if twenty million people had there own copy painted by Leonardo De Vinci hanging in their kitchens. To this end, Walter Benjamin states that, â€Å"Thus the same public which responds in a progressive manner toward a grotesque film is bound to respond in a reactionary manner to surrealism†, could not have predicted the deadening of sensibilities due to the saturation of horrific imagery. Perhaps then, Franz Wefel[4] who states, â€Å"The film has not yet realized its true meaning, its real possibilities..these consist in its unique faculty to express by natural means and with incomparable persuasiveness all that is fairylike, marvelous, supernatural†, was more in tune with what film, cinema, and television would become. Arguably, it has realised its potential and has done so for some time, with the magical quality coming in the form of various visual, and special effects. Creating an illusion in this sense, is arguably the art of the film. Where a counterpoint exists, is that many effects are duplicated- The hero does not fight one deadly monster, but five. Authenticity is lost, through duplication. Only where all these effects come together to give us something unique, can art be created. Perhaps then, the exhibition is where we begin to understand the true meaning of art. Arguably, this arena is where we are most exposed to it. Art is all around us and in everything, but through mainstream media it has been removed and not replaced by anything tangible. The gallery offers the photograph to the viewer as it was meant to be seen, and not perhaps through the same eyes of the photographer, but has taken a different meaning from shutter click to development. The art is prevalent, and our notion and awareness of creative expression is heightened. The impact is optimised, unlike a computer monitor where it can blend into a mirage of other pictures. Unlike an art form from civilisations long dead, where the art form would have been created for a ritual, and later as a valued artwork in an exhibition, contemporary photographic art is seemingly created to become a valued artwork in an exhibition. Though the picture was taken to convey an idea or a concept. The gallery offers us art, and to many of us this is the first image that springs to mind when the word ‘art is mentioned. With art prevailing less in mainstream film, can it be argued that it prevails less in society? The traditional journey of an art form whereby it starts by serving a purpose and ends as an exhibition piece does not apply. This was recognised by Walter Benjamin. â€Å"Today photography and the film are the most serviceable exemplifications of this new function.† Interestingly, he eludes that the â€Å"artistic value†, may not be that important. â€Å"later may be recognized as incidental†. Evidently, by examining the past, we can see that art has changed as it has aged. As Walter Benjamin states, â€Å"Work of art in prehistoric times when, by the absolute emphasis on its cult value, it was first and foremost, an instrument of magic. Only later did it come to be recognized as a work of art.† Applied to film and photography, the better remembered creations are ones that are unique in their approach and what they achieve. The finished product is not a paint by numbers affair, and is a creative process from start to finish. In conclusion, our notion of art through the mainstream is diminishing. Market forces, demographics, and clever marketing, has turned potential works of artistic creations of film, into a film made to a formula. In this environment, the film looses its uniqueness as it is made to a set criteria, like its predecessor and indeed, its successor. Once this happens, the film has lost its uniqueness and subsequently, it has lost its art. It is probably fair to put forward the statement that not many people associate mainstream film making with artistic achievement. Rather as a source of entertainment, whereby the only opinion expressed is whether or not they liked it. So Walter Benjamins analysis, â€Å"The public is an examiner, but an absent-minded one†, still prevails today. With the advent of the world wide web, and images and imagery effectively available on demand, we are becoming saturated with images of a similar nature. No matter how tragic, and how disturbing, they have in their own way become part of the mainstream, and as a result we have become desensitized not only to the horror we are witnessing, but the long term implications the events may have. Like popular cinema, their art is diminishing through loosing authenticity. They are no longer original, but duplicated which puts them into the realm of the political arena. The same can be said of the still image. Once it can be seen on websites and available on demand, it looses authenticity and therefore its art. This is also true of a truly horrific event that genuinely shocks. Through this genuineness, we discover the authenticity. This authenticity is arguably the basis of art, and through it the event has meaning. This is particularly important where there has been loss of life, as the peoples lives and deaths have significance. Once this event moves to the political arena however, it looses its authenticity as facts and truths are manipulated for the benefits of individual careers, rather than the common good. When the art dies, so does the meaningfulness of the lives lost. Therefore, our notion of art begins and ends in galleries. Exhibitions, are the only place where we see art for arts sake. From a contemporary perspective, art has become created to be seen, and to convey an idea through self expression. There are no market forces here, no demographics were at work when a photographer took the picture of a condemned building, or a child in a classroom. Just the desire and the impulse to create something from an idea. The photograph tells a thousand words, and the art is there because the picture that hangs in the gallery is unique, and this in our mainstream world is the only notion of art. [1] Walter Benjamin Marxist philosopher [2] Duhamel Dadaist commentator [3] Fillipo Tommaso Marinetti Idealogue, poet. [4] Franz Wefel (1890 1945) Czech-born poet, playwright, and novelist, whose central themes were religious faith, heroism, and human brotherhood. His best-known works are The Forty Days of Musa Dagh(933), a historical novel that portrays Armenian resistance to the Turks, and The song of Bernadette(1941)

Daisy and Tom Relationship in the Great Gatsby

Throughout the novel, The Great Gatsby, it is apparent that Daisy and Tom had an unstable relationship. Both Daisy and Tom came from affluent backgrounds and the upper class of society. Tom had a large ego and Daisy was in love with having a lavish and extravagant lifestyle. They were both consumed with money and everything that went along with being wealthy and having an upper class position in society. Their whole relationship was based upon money, not true love. Tom came from old money and was extremely wealthy. Daisy married Tom for his money and the lifestyle he was able to provide her with, not because she was truly in love with him.Daisy was an extremely selfish, materialistic and cold hearted person who was consumed by money. Both Tom and Daisy had an affair with another person outside their marriage in the novel. This showed their lack of true love and respect for each other. They were both aware that their spouse was having an affair, however, they both did not seem to care and came back to each other. Tom and Daisy both cared greatly about their image and how other people within their society perceived them. Tom and Daisy very much enjoyed having a high social status and being that wealthy couple that other people admired.This was part of the reason they stayed with each other even though they were not happy. It could have hurt their social status and people would have perceived them differently if they divorced. Tom and Daisy were both consumed with their image in society and how others perceived them. Tom and Daisy's relationship was solely based upon money and social status. Their relationship lacked true love, happiness and respect for one another. Daisy was just an object to Tom and Tom was just a man who could provide Daisy with the lavish and extravagant lifestyle that she was accustomed to.

Killing the Bear

Judith Minty’s story, â€Å"Killing the Bear,† is the about a woman who commits murder against her sexual self. Although, she wants to move on with life, she realizes that she must kill this bear in order to be a peace with herself. While I was reading, I chose to focus on the two aspects of the psyche, specifically id and the ego. The id, the bestial nature of the bear, in the woman’s life, and the ego, the real world, represented by the woman’s cabin. It is always hot for this woman. The summer heat was an all-consuming, sexual tension inside her. She lives only for the summer, marking each day, but the rest of the year, and even the rest of her life, it means nothing to her. At the end of the summer, she immediately plans for the next summer. Although in denial of her own heat, her sexuality, she seems, at the same time, to live for it. I noticed that during the summer, she lived in an isolated cabin, the woman builds herself a rational world, hammering and painting on her space. This real world is disturbed by the presence of a wild bear. When she first sees the bear, he is distant, frightening, like the awakening of sensuality in a young woman. He scares her a little and â€Å"her hands lift to cover her breasts,† a somewhat sexual response to the bear’s presence, suggesting displacement of her sensual urges on the bear. Downplaying her fear of the bear, she intellectualizes the bear, recounting facts and stories she has heard about bears. However, even during this intellectualization, she reflects on her animal nature and its destruction. Her memory of her mother burning her stuffed bear mirrors, in a roundabout way, her current situation and her ultimate solution to the live bear’s presence. At the end of the stuffed bear story, she observes that her mother misspoke when she said, â€Å"I’m sorry for burning the animal in you.† Although, the mother â€Å"killed† the woman’s childhood beast, the adult woman is facing the same animal, the living beast in herself, again. When I was reading, I could tell that her sexuality, the bear, grows bold and more insistent, threatening her rational world, the woman’s fear grows. She buys a gun for protection, snapping at the flirting clerk that â€Å"she didn’t need a man† as she pays for it. She denies her baser needs and desires, yet at the same time, she wants to seek out and dominate her sensuality, to go â€Å"hunting† for her beast. Ironically, she chooses to use a gun, a violent phallic symbol, to kill her sexuality. â€Å"Killing the Bear† is a great example of how an author can use the real world symbolically to mirror the inner psychological world of human beings. In the story, the natural world which threatens the woman reflects all the baser elements that people usually try to internalize, control, or sometimes reject. However, in the story, the woman’s barriers against her nature, her â€Å"civilization†, are not enough. She can never quite tame the beast within.

Black Americans essays

Black Americans essays Black Americans are those persons in the United States who trace their ancestry to members of the Negroid race in Africa. They have at various times in United States history been referred to as African, coloured, Negro, Afro-American, and African-American, as well as black. The black population of the United States has grown from three-quarters of a million in 1790 to nearly 30 million in 1990. As a percentage of the total population, blacks declined from 19.3 in 1790 to 9.7 in 1930. A modest percentage increase has occurred since that time. Over the past 300 and more years in the United States, considerable racial mixture has taken place between persons of African descent and those with other racial backgrounds, mainly of white European or American Indian ancestry. Shades of skin colour range from dark brown to ivory. In body type black Americans range from short and stocky to tall and lean. Nose shapes vary from aquiline to extremely broad and flat; hair colour from medium brown to brown black; and hair texture from tightly curled to limp and straight. Historically, the predominant attitude toward racial group membership in the United States has been that persons having any black African ancestry are considered to be black. In some parts of the United States, especially in the antebellum South, laws were written to define racial group membership in this way, generally to the detriment of those who were not Caucasian. It is important to note, however, that ancestry and physical characteristics are only part of what has set black Americans apart as a distinct group. The concept of race, as it applies to the black minority in the United States, is as much a social and political concept as a biological one. The first Africans in the New World arrived with Spanish and Portuguese explorers and settlers. By 1600 an estimated 275,000 Africans, both free and slave, were in Central and South America and the Caribbean are...

Bad Writing Assignment(Intentional) Essays

Bad Writing Assignment(Intentional) Essays Bad Writing Assignment(Intentional) Essay Bad Writing Assignment(Intentional) Essay An Indiana supermarket has started the next trend in do-it-yourself grocery shopping – allowing customers not only to check themselves out. But also to let themselves in. On Thanksgiving night in Goshen, the locking mechanism on its front door was not checked by someone at the store. That resulted in a dozen customers entering the store and trying to shop despite a complete absence of store employees. Normally open 24 hours a day, the doors of the store were shut at 6 p. m. on Thanksgiving evening. Store manager, Sheila Donley, said. It seems the locks on the front doors must have failed, and instead of actually sleeping off their turkey dinners or getting an early head start on Black Friday, some loyal Kroger customers decided to pick up a few extra items. † Since the locking mechanism had failed the doors were not easy to slide open, Donley said, that may have deterred others who came earlier in the evening. About 10:15 p. m. , though, one customer decided the store lo oked open. And pulled the sliding front doors apart just as several other shoppers arrived. When I arrived at the store I could see a little space between the doors, because all the lights were on inside, I just assumed the automatic opener had stopped working but I could still shop,† said, Goshen resident, Bill Terrell. â€Å"I looked for an employee to alert, I found no one and decided just to buy what I needed. † Several other late-night shoppers gathered items and went to the self-checkout lanes, seemingly oblivious to the utter lack of employees. They realized something was wrong after seeing all registers closed, Terrell said. At some point, police were called. Puzzled by the situation, a call came from a customer or a neighbor concerned about the sudden activity. Police spokeswoman, Christy Samms said, â€Å"There were definitely no signs of forced entry at all and apparently no one stole any items from the business. † She said it appeared the door’s locking mechanism had not completely engaged. At this point in time, Donley, called in by police, secured all of the entrances and sent the confused customers on their way – each with a voucher for $20 worth of Kroger-brand items on a upcoming future visit. The customers, taking it in stride, left without incident, Terrell said. â€Å"As foolish as we probably were to be out on Thanksgiving night, I guess it’s hard to complain about free food on our next trip,† he said. 1a. Original: Donley, called in by police†¦. 1b. Revision: At this point in time, Donley, called in by police†¦ (Concise Wording) 2a. Original: â€Å"There were no signs of forced entry and apparently†¦. 2b. Revision: â€Å"There were no signs of forced entry at all and apparently†¦ (Unnecessary Filler) 3a. Original: †¦and apparently no one stole from the business. † 3b. Revision: †¦and apparently no one stole any items from the business. † (Unnecessary Filler) 4a. Original: â€Å"It seems the locks on the front doors failed†¦ 4b. Revision: â€Å"It seems the locks on the front doors must have stopped working†¦ (Concise wording) 5a. Original: â€Å"I could see a little space between the doors†¦ 5b. Revision: â€Å"When I arrived at the store I could see a little space between the doors†¦ (Long Lead Ins) 6a. The doors were not easy to slide open,†¦. 6b. Since the locking mechanism had failed the doors were not easy to slide open,.. (Long Lead Ins) 7a. †¦and instead of sleeping off†¦. 7b. †¦and instead of actually sleeping off†¦ (Needless Adverb) 8a. †¦brand items on a future visit. 8b. †¦brand items on a upcoming future visit. (Redundant Words) 9a. â€Å"There were no signs of forced entry†¦ 9b. â€Å"There were definitely no signs of forced entry†¦ (Needless Adverb) 10a. †¦or getting an early start on Black Friday†¦ 10b. †¦or getting an early head start on Black Friday†¦ (Redundant Words)

1.Since Country A has a higher GDP than Country B then this must mean Essay - 1

1.Since Country A has a higher GDP than Country B then this must mean the residents of Country A are better off in terms of economic welfare. Discuss - Essay Example Therefore, to understand how much the given statement can be justified, we need to understand the strength of GDP as a measure of welfare. For that, first we need to understand what exactly GDP is and what is captured through it. Then we have to consider the concept of welfare and see whether GDP is able to capture it or not. Finally, based on this understanding we shall be able to judge the validity of the statement. So in the following, first GDP shall be introduced as a concept. Then the concept of welfare shall be discussed. Finally GDP and welfare shall be related to examine how strongly GDP may reflect the welfare level of any country. Finally, the discussion will be concluded by commenting upon the validity of the statement based on the understanding developed in the previous sections. GDP or Gross Domestic product is the sum total of the market value of all final goods and services produced within the boundaries of any nation in a given year (McConnell & Brue, 2005). It aims to measure the national income of any economy. Only the market value of final goods and services are included and the market value of all goods used as intermediaries in the process of production are excluded in the measurement of national income to avoid the problem of double counting. Sometimes as an alternative, to avoid the double counting problem, to measure national income, the value added at each stage of production is calculated and added up. However, the objective remains to estimate the national income on an economy as adequately as possible. It is important to note that GDP can be expressed in two forms – nominal GDP and real GDP. Nominal GDP represents the money value of all final goods and services produced within an economy in any given year. Real GDP is the nominal GDP d ivided by the price level. Dividing real GDP by the population of the economy we get per capita real GDP. We shall in

The postcolonial of The Tempest Essay Example | Topics and Well Written Essays - 1500 words

The postcolonial of The Tempest - Essay Example As this agony of slavery preceded the natives longed for freedom and liberty, they took initiatives to find other colonists who could resist the original colonists. This strategy could not help them to establish peace and harmony in the society, and even the natives would be more brutally enslaved and exploited. The captured or enslaved resembled Caliban who wanted to depend on a jester Trinculo and a drunken butler Stephano to kill his master Prospero to retake the ownership of this island. Shakespearean plays are highly associated with the then current issues of the society. To be precise, the play The Tempest clearly depicts the class structure of the era with Prospero being at the top, Ariel in the middle, and Caliban at the lower end. Many postcolonial characteristics are showed in the drama called ‘The Tempest’. Although all characters may not influence everyone, at least a few characteristics will have a kind of influence on the reader or viewer. The two character istics that would touch every reader are â€Å"the master and the slave† and â€Å"The identity of postcolonial†. The master Prospero plays a significant role, making plots to protect his daughter and to avenge his enemies. Sarwoto purports, ‘Prospero lands on an island and enslaves a native inhabitant, Caliban, who is considered as savage and uncivilized’ (2). ... In addition, Ariel who contributes remarkably in his revenge is identified as an airy spirit, which serves the master Prospero in the magic performed in the island. She is also in great desire for freedom from the bondage as being enslaved by Prospero. The identity of Prospero is of high value as he was the Duke of Milan but was usurped by his own brother over a period of time. Therefore, no doubt that the master Prospero belongs to a higher class and race of Milan, identity of postcolonial class varies from one to the other, as the identity of Ariel and Caliban is entirely different and low class. They are well identified as the servants who long for freedom, connecting with the situation of natives, they are real sufferers. Master and slave is essential characteristic to describe the postcolonial. Prospero is the symbol of European colonial power. Caliban is one of the strongest symbols of post colonialism. Caliban, as a native of the land, experiences a most painful situation in h is life, compelled to do all works forcefully and not willingly. And Ariel is the other example for this characteristic of post colonialism. Although she has exceptional power, she serves the master. Knowing the past shaping the life is very important, it shows the play that how the master and the slave have achieved success. At first, Prospero the master of the drama undergoes the greatest crisis in life that he is being overthrown by his own brother and banished. However, he does not give up, and he is an optimistic. He prepares his power for a long period of twelve years in the island and strengthens himself with the assistance of the slaves. Whereas, Ariel